Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a special insert presented with the deluxe edition of Robert Goldwater's "Rufino Tamayo". Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 1/8 x 8 1/8 inches (282 x 205 mm). A rich and beautifully printed impression.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 x 10 inches (325 x 255 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 x 10 inches (330 x 250 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original etching and aquatint. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as the frontispiece of the deluxe edition of Robert Goldwater's "Rufino Tamayo". The edition size was limited to 80. Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 7/8 x 8 5/8 inches (300 x 220 mm). A rich and beautifully printed impression. Not signed.

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project "Surréalisme en 1947". Issued in a limited edition of 999. Sheet size: 9 3/8 x 8 inches; 240 x 204mm. Signed in the plate (not hand-signed).

Condition: there is a small mark in the paper near the right of center.

Medium: mezzotint. Catalogue reference: Hardie 95. Executed in 1913 by Sir Frank Short after J. M. W. Turner and signed in pencil by Sir Frank Short. Printed on chine-collé paper in an edition of 50. Plate size: 10 7/8 x 15 3/4 inches. Some consider that Sir Frank Short was at his best when interpreting J. M. W. Turner.

Condition: some age-toning and discoloration to the paper.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Condition: there is some foxing to the paper.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Condition: there are a few small spots of foxing to the paper.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Condition: there is some creasing to the paper near the bottom right.

Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cream wove paper is embossed with The Studio dry stamp in the margin. Signed in the plate with Whistler's butterfly monogram signature (not hand-signed).

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Medium: lithograph (after the Utrillo painting). Printed in 1969 on Arches paper at the Mourlot studio in Paris. Image size: 19 x 24 inches (480 x 610 mm). Sheet size: 23 x 28 inches. A splendid, richly inked impression. Signed in the plate, not hand-signed.

Condition: minor creasing in the margin.

Coriolanus and his Mother
Medium: original woodcut. Signed in pencil by Peter Trumm and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is one of the deluxe signed edition of 300 printed on thin japon paper. The image measures 9 5/8 x 12 1/2 inches (245 x 315 mm); a fine impression with full original margins.

Condition: there are old tape mounts in the margin, not affecting the image; and some foxing.

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). This impression was hand-colored. Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Condition: there are a few spots of foxing, mostly visible on the back side.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: lithograph (after the drawing). This composition was executed by Felix Vallotton in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 7 1/4 x 9 1/2 inches (185 x 245 mm). Sheet size: 10 5/8 x 14 7/8 inches (270 x 377 mm). Not signed.

Condition: there is foxing in the margins.

Medium: original lithograph. Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 1/2 inches (408 x 290 mm). There is poetry text (also composed by Walasse Ting) printed on the back side, as issued. Not signed.

Medium: lithograph (after the theater program). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 8 x 6 1/2 inches (207 x 164 mm). Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate with the Toulouse-Lautrec monogram, not hand-signed.

Condition: there is age-toning to the paper and a library stamp on the back.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 380. Size: 12 3/4 x 10 inches (324 x 250 mm). Signed in the plate (not by hand).

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 15 1/2 x 20 1/2 inches (390 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph on thick, shiny paper. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children's book for hipsters". Size: 11 x 8 3/8 inches (278 x 215 mm). A classic Warhol piece of Pop Art from his Factory period, at the height of the New York psychedelic scene. Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Condition: this work served as the actual front cover of the Index Book so there is some wear.

Medium: original woodcut. Catalogue reference: Colnaghi 142. Published in London in 1921 by Herbert Furst at the Little Art Rooms for inclusion in the "Modern Woodcutters 4" volume, now very rare, which showcased original Edward Wadsworth woodcuts. This impression was printed on Basingwerk Parchment wove paper by Walter Bradley at the Morland Press. The image measures 7 x 3 inches. Not signed.

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 1/2 x 16 1/2 inches (318 x 420 mm). This work was published as a folded sheet with a center fold. Signed in the plate; not hand-signed.

Condition: minor creasing.

Medium: original etching. This Villon etching was published in Paris in 1956 by Manuel Bruker in an edition of 150-- this impression is from the deluxe edition of 15 on japon impérial laid paper, making it rather rare. Plate size 8 1/4 x 5 1/2 inches (210 x 138mm). A nice impression with full original margins. Not signed.

Medium: original etching. Printed in 1883 for a deluxe portfolio of American etchings, this is a fine, dark impression on wove paper. Plate size: 11 1/2 X 7 5/8 inches. Sheet size: 18 x 13 1/2 inches. Signed in the plate (not by hand).

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 10 1/8 x 6 1/4 inches (256 x 160 mm). The lithograph is presented as originally published: mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard. Signed in the plate (not by hand).

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children's book for hipsters". Size: 10 3/4 x 16 x 4 inches (275 x 400 x 105 mm). A classic work of Pop Art from Warhol's Factory period, at the height of the New York psychedelic scene. Not signed.

Medium: original woodcut. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the German Expressionist movement. Image size: 6 3/8 x 5 inches (170 x 128mm). Sheet size: 11 x 8 1/2 inches (280 x 220mm). Signed in the plate (not by hand).

Condition: There is a repaired tear in the margin (well outside and not affecting the image). A rich, dark impression!

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 5 3/4 x 3 3/4 inches (143 x 98mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 5 3/4 x 3 3/4 inches (143 x 98mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/8 x 6 inches (214 x 150 mm). With full original margins, the sheet measures 11 x 8 3/4 inches (280 x 223 mm). Signed in the plate (not by hand).

Medium: original etching. Printed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 9 1/2 x 6 1/2 inches (240 x 165 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 20 3/4 x 15 3/4 inches (525 x 400 mm) and the full sheet measures 23 x 19 inches (590 x 475 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: mezzotint. Engraved by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed in 1924 on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in London by The Museum Galleries, with the publisher's blindstamp in the margin. Image size: 13 1/4 x 17 3/4 inches (332 x 447 mm). Plate size: 16 1/4 x 21 1/4 inches (417 x 540 mm). Sheet size: 21 x 27 inches (535 x 690 mm).

Condition: there is age-toning to the paper, and a mat stain in the margin. This work was attached with glue many years ago onto a stiff paperboard backing sheet.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 20 1/4 x 15 3/4 inches (515 x 400 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 15 3/4 x 20 1/2 inches (400 x 520 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 3/4 inches (235 x 122 mm). The lithograph is presented as originally published: mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard. Signed in the plate, not hand-signed.

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 1/4 inches (234 x 105 mm). The lithograph is presented as originally published: mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard. Signed in the plate (not by hand).

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 8 3/4 x 5 1/2 inches (222 x 138 mm). The lithograph is presented as originally published: mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard. Not signed.

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). There is printed text on the back, as issued. Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Size: 9 1/8 x 7 7/8 inches (232 x 200 mm). Signed in the plate, not by hand.

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1958 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 1/2 inches (305 x 218 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: original lithograph. Printed in 1930 in an edition of 250 and published in New York by The Downtown Gallery. Size: 10 x 6 3/4 inches (252 x 172 mm). Signed in the plate; not hand-signed.

Medium: lithograph on thick, shiny paper. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children's book for hipsters". Size: 11 x 8 3/8 inches (278 x 212 mm). A classic Warhol piece of Pop Art from his Factory period, at the height of the New York psychedelic scene. Signed in the plate, not by hand.

Condition: this work served as the actual back cover of the Index Book so there is some wear.

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size: 12 5/8 x 9 1/4 inches (322 x 235 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Signed in the plate (not by hand).

Condition: there is age-toning to the paper.

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 8 3/4 x 5 1/4 inches (222 x 134 mm). The lithograph is presented as originally published: mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard. Not signed.

Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/4 x 6 3/8 inches (223 x 163 mm). With full original margins, the sheet measures 11 x 8 3/4 inches (280 x 223 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full original margins, the sheet measures 8 3/4 x 11 inches (223 x 280 mm). Signed in the plate (not by hand).

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 5 3/4 x 8 3/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/8 x 8 3/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 3/8 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 x 9 1/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 5 3/4 x 9 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm); the image measures 5 3/4 x 7 inches (143 x 175 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Image size: 6 1/8 x 8 1/4 inches (158 x 210 mm). Sheet size: 9 1/4 x 12 5/8 inches (235 x 320 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Medium: original woodcut. A lovely German Expressionist composition depicting three friends smoking and drinking. Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is from the unsigned edition printed on laid paper. The image measures 7 x 5 1/2 inches (180 x 140 mm); a fine impression with full original margins. Not signed.

Medium: original lithograph. Printed on laid paper by Anstalt Eigner in 1925 for the Ganymed portfolio "Das funfte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R. Piper & Co. in an edition of 900. Size: 7 5/8 x 10 3/4 inches (195 x 273 mm). Signed in the plate; not hand-signed.

Medium: original etching. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size 11 x 8 1/2 inches (275 x 218 mm). A nice impression on Arches wove paper with deckle edges and full original margins. Not signed.

Medium: original lithograph. Executed by Vertes in 1927 for "Collette la Vagabonde", this impression is printed on wove paper. The full sheet measures 12 x 9 inches (305 x 228 mm). Not signed.

Condition: there are minor handling creases to the paper.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 5 3/4 x 9 3/8 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Medium: original lithograph. Executed by Vertes in 1928 for "Collette la Vagabonde", this impression on laid paper was published by Arts et Metiers Graphiques. Size: 11 3/4 x 8 7/8 inches (300 x 225 mm). Not signed.

Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid paper was printed from the original Anthonie Waterloo plate. Plate size: 4 3/4 x 5 5/8 inches; 117 x 145mm. Not signed.

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children's book for hipsters". Size: 10 3/4 x 15 1/2 x 2 inches (275 x 394 x 45 mm). A classic Warhol work of Pop Art from his Factory period, at the height of the New York psychedelic scene. Not signed.

Medium: original etching. Catalogue reference: Ginestet-Pouillon 525. Printed in 1952 for the art revue XXe Siecle and published in Paris by San Lazzaro. Plate size: 9 1/2 x 7 5/8 inches (245 x 193 mm). Signed in the plate (not by hand).

Condition: there is foxing to the paper.

Medium: lithograph (after the painting). Printed in Paris in 1964 at the Fernand Mourlot atelier and published in an edition of 2000. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 217 mm). Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 5/8 x 8 3/4 inches (168 x 222 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/4 x 8 1/2 inches (162 x 214 mm). With full original margins, the sheet measures 8 3/4 x 11 inches (223 x 280 mm). Signed in the plate (not by hand).

Medium: original lithograph. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the German Expressionist movement. Image size: 6 3/4 x 5 1/4 inches (174 x 135 mm). Sheet size: 11 x 8 1/2 inches (280 x 220 mm). Signed in the plate (not by hand).

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Not signed.

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Not signed.

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Not signed.

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Not signed.

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Not signed.

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (420 x 315 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (420 x 315 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 380. Size: 12 1/4 x 9 3/8 inches (312 x 237 mm). Signed in the plate (not by hand).

Condition: there is creasing to the paper.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.

Medium: pochoir (after the painting). Issued for XXe Siecle (No. 7) and printed by Daniel Jacomet. Published in Paris by San Lazzaro in 1956. Sheet size: 12 1/4 x 9 1/2 inches (313 x 243 mm). Signed in the plate, not hand-signed.

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 10 1/4 x 8 inches (263 x 205 mm). Signed in the plate (not by hand).

Condition: the left margin is narrow.

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. Sheet size (each): 12 1/2 x 9 3/4 inches (320 x 247 mm). Signed in the plate (not hand-signed).

Moulin Rouge - La Goulue was Toulouse-Lautrec's first poster, executed in 1891. Included with the sale of this lithograph are several other states known as color decompositions (see the photos). This shows how the various lithographic stones were prepared in order to print the final state. There were also two other stones used (a plain red and a plain yellow) but those are printed on the back of two of the others and so are not pictured here.

Condition: all have creasing at one corner (in the margin and not affecting the images).

Medium: original silkscreen / serigraph. This silkscreen was printed in 1966 and issued in an edition of 2200 by the Stedelijk Museum of Amsterdam. This screenprint was executed by William Turnbull especially for the "Vormen van der Kleur” (New Shapes of Color) portfolio, published in 1966 by the Stedelijk Museum and now rare. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). A beautiful impression in rich color. Not signed.

Medium: original lithograph. Printed in Paris in 1921 on Lafuma-Navarre wove paper, and issued in a limited edition of 300 for Georges Duhamel's "Trois journees de la tribu". Size: the total sheet measures 9 1/4 x 7 inches (235 x 178 mm). Not signed.

Condition: there is some foxing in the margins.

Medium: original woodcut. Printed in 1958 for the art revue XXe Siecle (issue number 10) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (313 x 243 mm). Not signed.

Condition: there are small bumps at two corners of the sheet.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image and is also signed in the plate. Signed in the plate; not hand-signed.

Medium: original etching. This impression on laid paper was printed in 1920 and published in Paris by Gazette des Beaux-Arts. Plate size: 6 3/8 x 5 3/4 inches (163 x 147 mm). Signed in the plate (not hand-signed).

Condition: trimmed margins.

Medium: pochoir (after the pastel). Printed in Paris in 1966 at the atelier Daniel Jacomet and published in an edition of 350 for the Vuillard Douze Pastels portfolio. Image size: 9 1/2 x 12 3/4 inches (243 x 325mm). Sheet size: 15 x 18 inches. This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not by hand.

Medium: original linoleum cut. Printed in 1938 for the rare fourth issue of the art revue XXe Siecle . Size: 12 1/2 x 9 5/8 inches (317 x 244 mm). Signed in the block (not by hand).

Condition: there is some age-toning to the paper.

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. This impression on laid paper was printed from Weirotter's original plate. Plate size: 3 7/8 x 7 1/8 inches; 98 x 182mm. Not signed.

Medium: original lithograph. Printed in Paris in 1958 by Mourlot in an edition of 2000. Size: 12 1/4 x 19 inches (310 x 475mm). There is a center fold, as published. Signed in the plate (not by hand).

Medium: lithograph (after the painting). Published by Louis Carré in 1948 for "L'Art Glorieux" in an edition of 1800. Printed in Paris by Mourlot Frères. Image size: 8 1/2 x 11 3/4 inches (210 x 292 mm). Signed in the plate (not hand-signed).

Condition: there is a center fold with stitch holes in the crease, as published.

Medium: lithograph (after the painting). Published by Louis Carré in 1948 for "L'Art Glorieux" in an edition of 1800. Printed in Paris by Mourlot Frères. Image size: 8 1/2 x 6 3/8 inches (216 x 160 mm). Signed in the plate (not by hand).

Medium: lithograph (after the painting). Published by Louis Carré in 1948 for "L'Art Glorieux" in an edition of 1800. Printed in Paris by Mourlot Frères. Image size: 6 x 7 3/4 inches (155 x 195 mm). Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). This impression was hand-colored. Plate size: 7 x 9 1/8 inches (175 x 230 mm). Signed in the plate (not by hand).

Medium: original etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This impression is one of 150 printed on Johannot wove paper. The plate size is 10 3/4 x 7 1/4 inches (275 x 184 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: original lithograph. Tito Varisco was a well known scenographer (set designer), and this print was inspired by the Bela Bartok opera "The Miraculous Mandarin", and was executed for the second volume (1956-57) of very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Printed on a light brown paper, the full sheet size is 8 1/2 x 12 1/2 inches (218 x 318mm). Signed and titled in the plate, not by hand.

Medium: original lithograph multiple. This unusual work consists of a strip of paper with a lithographed design that can be pulled through another paper section, cut in the shape of a television screen, to create the effect of a moving pattern. As an important scenographer (set designer) in Milan, Tito Varisco had a special interest in the emerging medium of television and its relation to the other visual arts. Published by Groupe Espace in Milan for the very rare Documenti d'Arte d'Oggi (1955-56). The total sheet measures 12 1/2 x 8 1/2 inches (318 x 217mm). Not signed.

Condition: there is age-toning to the paper and a small tear in the viewer section.

Medium: pochoir. Printed in 1959 at the atelier of Daniel Jacomet for the art revue XXe Siecle (issue number 12) and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 240 mm). Signed in the plate (not hand-signed).

Condition: there is creasing at two corners of the sheet.

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 6 3/4 x 10 inches (253 x 175 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Condition: there is foxing in the margin.

Medium: etching. Etched by William Unger after Pieter de Molijn (also known as Pieter Molyn). This impression on laid paper was printed in 1880 for the American Art Review. Image size: 5 1/4 x 7 inches (135 x 180 mm). Plate size: 6 3/4 x 9 1/4 inches (170 x 235 mm). Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (180 x 242 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed in the plate (not hand-signed).

Condition: there are some marks in the margin.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Not signed.

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Not signed.

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original etching. This impression on japon paper was printed in 1875 and published in Paris by L'Art. Image size: 5 1/8 x 9 inches (132 x 225 mm). Signed in the plate; not hand-signed.

Condition: a previous owner's penciled annotation can be found in the margin near the bottom of the sheet.

Medium: original etching. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Plate size: 9 1/4 x 12 1/4 inches (237 x 310 mm). Not signed.

Condition: there is foxing to the paper.

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" portfolio, and published in Paris by Club Francais du Livre. Image size: 7 1/8 x 5 3/8 inches (182 x 137 mm). Sheet size: 9 3/4 x 8 1/4 inches (248 x 210 mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Printed in Paris in 1902 for the cover of the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size: 12 1/4 x 9 inches (310 x 232 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 276 mm). There is text on the back, as issued. Not signed.

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 276 mm). There is text on the back, as issued. Not signed.

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a center fold with text and another image on the back, as issued. Not signed.

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: offset lithograph (after the painting). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 4 1/4 x 8 inches (110 x 204 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.

Medium: screenprint in black on a transparent plastic sheet (after the drawing). This fascinating Vasarely composition was printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x 267 mm). Not signed.

Condition: the plastic has become somewhat curled and clouded with age. Photographed against a white background.

Medium: screenprint in black on a transparent plastic sheet (after the drawing). This fascinating Vasarely composition was printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x 267 mm). Not signed.

Condition: the plastic has become somewhat curled and clouded with age. Photographed against a white background.

Medium: screenprint in black on a transparent plastic sheet (after the drawing). This fascinating Vasarely composition was printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x 267 mm). Not signed.

Condition: the plastic has become somewhat curled and clouded with age. Photographed against a white background.

Medium: screenprint in black on a transparent plastic sheet (after the drawing). This fascinating Vasarely composition was printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x 267 mm). Not signed.

Condition: the plastic has become somewhat curled and clouded with age. Photographed against a white background.

Medium: screenprint in black on a transparent plastic sheet (after the drawing). This fascinating Vasarely composition was printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x 267 mm). Not signed.

Condition: the plastic has become somewhat curled and clouded with age. Photographed against a white background.

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: offset lithograph (after the painting). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 4 1/2 x 8 inches (114 x 204 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 3/4 x 5 1/4 inches (200 x 135 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.