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Medium: original etching and drypoint. Executed in 1885 and printed on thin china paper, this is an exceptionally rare state with the figure study of a child etched at the bottom left (this figure was removed from published editions of the etching). Image size: 7 1/2 x 5 1/2 inches (192 x 138 mm). Plate size: 8 3/4 x 6 1/4 inches (225 x 160 mm). Sheet size: 13 1/2 x 9 inches (342 x 230 mm). Not signed.

Condition: the thin paper is partially separated along the bottom edge of the platemark.

Medium: original etching and aquatint. Executed in 1874, this impression on laid paper is presumed to be from the 1905 Strölin edition. Plate size: 9 3/8 x 6 1/4 inches (238 x 160 mm). Sheet size: 17 x 11 1/2 inches (430 x 295 mm). Not signed.

Condition: there is foxing to the paper.

Medium: original etching. Executed in 1873, this is a portrait of the impressionist artist Armand Guillaumin. This is a fine impression with plate tone printed on cream laid paper from the rare 1906 first edition of "Histoire des Peintres Impressionnistes" by Theodore Duret, published in Paris by Henri Floury. Plate size: 6 1/8 x 4 3/4 inches (155 x 120 mm). Sheet size: 9 7/8 x 7 1/2 inches (252 x 193 mm). Signed in the plate with Cezanne's "hanging man" signature (not hand-signed).

Medium: original aquatint and soft-ground etching. Executed in 1894; a small edition was printed for the Germinal portfolio before the plate was canceled. This is a posthumous impression on Canson & Montgolfier laid paper with the Ingres watermark, printed from the original canceled plate (circa 1964). The etched inscription near the top left reads "Chez Seguin à St. Julien" indicating the scene takes place at the home of Paul Gauguin's friend and fellow artist Armand Seguin (1869-1903) and some think that both artists collaborated together to finish the composition. Plate size: 10 1/2 x 16 1/2 inches (265 x 419 mm). Sheet size: 19 x 25 inches (480 x 635 mm). Not signed.

Condition: good overall; there is some foxing in the margin and evidence of handling (not affecting the etched image).

Medium: original etching in bistre brown ink. Catalogue reference: Delteil 94. Executed in 1890, this impression on laid paper is from the 1906 first edition of "Histoire des Peintres Impressionnistes" by Theodore Duret, published in Paris by Henri Floury. Plate size: 7 3/4 x 5 3/8 inches (197 x 135 mm). Sheet size: 10 1/4 x 7 3/4 inches (260 x 197 mm). Not signed.

Condition: there is foxing and age-toning to the paper, with old tape mounts on the back side (in the margin near the top edge of the sheet).

Medium: original etching. Printed in 1909 for Theodore Duret's "Die Impressionisten" and published in Berlin by Bruno Cassirer. This impression on laid paper bears the Fortuna watermark. Plate size: 5 3/8 x 7 5/8 inches (135 x 195 mm). Sheet size: 7 3/4 x 10 1/4 inches (198 x 258 mm). Not signed.

Condition: there is foxing to the paper, with old tape mounts on the back side (in the margin near the top edge of the sheet).

Medium: original etching. Printed in 1910 for Theodore Duret's "Manet & the French Impressionists". Plate size: 6 5/8 x 4 3/8 inches (170 x 110 mm). Sheet size: 8 1/2 x 5 3/4 inches (217 x 145 mm). A good impression on wove paper with plate tone. Not signed.

Condition: the margins have been trimmed and there are old tape mounts on the back side (not affecting the etching); and there is creasing to the paper and a spot of foxing in the margin.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 1/4 x 8 3/4 inches (157 x 223 mm). One of Chagall's most charming compositions. Not signed.

Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's "La Vie Artistique". Plate size: 4 3/4 x 3 1/4 inches (120 x 80 mm). Not signed.

Condition: there is a small dark spot near the upper left corner.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 1/2 x 8 1/4 inches (167 x 208 mm). Not signed.

Medium: original etching. Catalogue reference: Harris 59. This etching was executed by Manet in 1862, but only a few were printed before the copper plate was canceled. This impression on laid paper was printed in 1923 from the original canceled plate and published in Berlin by Paul Cassirer. Plate size: 4 1/2 x 3 inches (115 x 74 mm). Sheet size: 10 x 7 3/4 inches (256 x 197 mm). Signed in the plate, not hand-signed.

Condition: there is age-toning and foxing to the paper.

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 7 3/4 x 6 inches (197 x 154 mm). Not signed.

Medium: original etching and drypoint. Catalogue reference: Harris 75. This etching was executed by Manet in 1872, but only a few were printed before the copper plate was canceled. This impression on laid paper was printed in 1923 from the original canceled plate and published in Berlin by Paul Cassirer. Plate size: 4 5/8 x 3 1/8 inches (118 x 80 mm). Sheet size: 10 x 7 3/4 inches (256 x 197 mm). Not signed.

Condition: there is age-toning and foxing to the paper.

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 7 1/4 x 6 1/4 inches (185 x 157 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 7 7/8 x 6 3/8 inches (198 x 162 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 x 6 3/8 inches (205 x 163 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui". The publisher's provenance inscription is printed beneath the image. Image size: 7 x 5 inches (180 x 125 mm). Not signed.

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 6 1/2 x 7 3/4 inches (image). Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1949 for the art revue Derriere le Miroir (issue number 20-21- L'art abstrait) and published in Paris by the Maeght atelier. Sheet size: 15 x 21 3/4 inches (378 x 555 mm). Published as a folded sheet with a center crease and text on verso. Not signed.

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 1/4 x 7 1/2 inches (158 x 188 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 3/8 x 5 1/2 inches (213 x 138 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 233. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Sheet size: 9 x 14 1/2 inches (230 x 370 mm). This lithograph was published as a folded sheet with a center crease. Not signed.

Condition: there is a spot of foxing in the margin.

Medium: original lithograph. This interesting work was a collaboration between artists Joan Miró, Jacques Prévert and Georges Ribemont-Dessaignes. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 14 5/8 inches (230 x 372 mm). This lithograph was published as a folded sheet with a center crease. Signed in the plate by Prévert and Ribemont-Dessaignes (not hand-signed).

Purgatory - plate 10
Medium: woodblock engraving. During the 1950's Salvador Dali was commissioned by the Italian Government to illustrate The Divine Comedy by Dante Alighieri. Dali created 101 watercolors to represent scenes from Dante's travels through Inferno, Purgatory and Paradise. However, the extravagantly surrealistic art works were not well received by the Italian public at the time and the government canceled the project. Fortunately, French publisher Joseph Foret was interested and work began on the engraving of woodblocks, chosen as the best medium to represent the nuances of Dali's compositions into print format. The woodblocks were destroyed after printing. This impression was printed on BFK Rives wove paper and issued in 1964 by Les Heures Claires in a total edition of 4765. The image measures 10 x 7 1/4 inches (255 x 187 mm) with full original margins; the full sheet measuring 13 x 10 1/4 inches (330 x 263 mm). The Divine Comedy is held to be one of Dali's masterpieces and the artist himself considered this series to be among his most important works. A rich, magnificent impression. Not signed.

Medium: etching (after the painting). Etched by French artist Henri Guerard (1846-1897) after the iconic Manet painting. This impression on cream laid paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. Image size: 5 1/2 x 7 3/8 inches (140 x 187 mm). Signed in the plate (not by hand).

Medium: original etching. Catalogue reference: White 1. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 6 1/2 x 9 3/8 inches; the sheet size is 9 x 12 inches. Signed in the plate by Peter Moran (not by hand).

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 5/8 x 8 1/8 inches (168 x 205 mm). The publisher's provenance inscription is printed beneath the image. Not signed.

Medium: original lithograph. Printed in Paris in 1974 by the Atelier Arte and published by Maeght. Size: 11 x 22 inches (275 x 562 mm). This lithograph was published as a folded sheet with a center crease. Signed in the plate; not hand-signed.

Medium: original lithograph. Printed in Paris in 1974 by the Atelier Arte and published by Maeght. Size: 11 x 22 inches (275 x 562 mm). This lithograph was published as a folded sheet with a center crease. Signed in the plate; not hand-signed.

Medium: original etching. A rich impression in sepia on wove paper, printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 11 x 7 3/4 inches (277 x 197 mm). Signed in the plate; not hand-signed.

Condition: there is wear and discoloration along the left edge where the publisher's tissue guard had been attached.

Medium: original lithograph. Catalogue reference: M 234. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 15 inches (230 x 380 mm). This lithograph was published as a folded sheet with a center crease. Not signed.

Medium: original lithograph. Catalogue reference: M 235. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 7 3/4 inches (230 x 197 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 232. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 7 3/4 inches (230 x 197 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 236. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 9 x 7 3/4 inches (228 x 197 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 6 1/2 x 8 5/8 inches (163 x 220 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 3/4 x 8 3/4 inches (170 x 223 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 230. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Size: 8 3/4 x 7 5/8 inches (223 x 195 mm). Not signed.

Condition: there is some creasing, age-toning and wear.

Medium: original etching. Believed to be a self-portrait, this impression on laid paper was printed ca. 1930. Plate size: 7 5/8 x 4 5/8 inches (195 x 119 mm). Sheet size: 13 x 10 inches (333 x 255 mm). Not signed.

Condition: there are a few spots of foxing in the margins, and old tape mounts on the back (not affecting the etched image).

Medium: original woodcut. (Catalogue reference Roethel 124). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 7 1/2 x 5 inches (190 x 125 mm). Sheet size: 12 1/4 x 9 1/4 inches (308 x 237 mm). Signed in the plate (not hand-signed).

Condition: there is age-toning to the paper.

Medium: pochoir (after the painting). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 3/4 x 5 1/2 inches (225 x 142 mm). Signed in the plate (not hand-signed).