Medium: original woodcut. Signed in pencil. Catalogue reference: Hofmaier 282 IV BB. Printed in Germany in 1923 for the very rare Kunst der Gegenwart portfolio, published in Munich by Marées-Gesellschaft, R. Piper & Co., with the Marées-Gesellschaft blindstamp in the margin. The printer was Fritz Voigt, of Berlin. This impression is one of 220 printed on cream wove paper from a total edition of 300 (consisting of 220 on wove and 80 on japon paper). The image measures 13 3/4 x 13 inches (350 x 331 mm); the total sheet measures 20 1/2 x 18 1/2 inches (520 x 472 mm) with full original margins and deckle edges.

In very good condition; with minor creasing near the edges of the sheet and a tiny pinhole in the space above the figure's right eye (hardly visible).

This is one of several portraits of a mysterious woman called "Naila" that were done by Max Beckmann. It is now known that Naila was Dr. Hildegard Melms, and that Beckmann had an affair with her in 1923, the same year he executed this print. This important German Expressionist woodcut can be found in the permanent collections of the Art Institute of Chicago, the Brooklyn Museum and the Museum of Modern Art (MoMA).

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 x 10 inches (325 x 255 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original lithograph. Signed in pencil and numbered 47/100. Printed in Neuchatel, Switzerland in 1977 at the Imprimerie Paul Attinger. This signed and numbered lithograph was included as a loose print with the first 100 copies of the Eugene Ionesco catalogue raisonné of Alechinsky's works. Size: 11 3/4 x 8 1/4 inches (300 x 210 mm).

Medium: original etching and drypoint with aquatint and roulette. This is an exquisite impression on japon paper, of what is arguably the most famous Felix Buhot etching. Executed in 1879 and published in Paris in 1881 for L'Art; the catalogue reference is Bourcard/Goodfriend 128. Image size: 9 1/2 x 13 3/4 inches (240 x 350mm). Signed in the plate with the Buhot monogram signature (not by hand). A good price for this impression on special paper, before letters and apart from the standard published edition.

Medium: original serigraph. Signed and numbered in pencil 82/150. Executed in 1965 for the Paris Review (catalogue reference: Burchfield 2). The image size is 29 x 25 inches and the full sheet size is 40 x 26 inches. An iconic example of 1960's Pop Art.

Condition: there is some wear around the edges of the sheet.

In 1965 the leading Pop and Abstract artists of the era were commissioned by the Paris Review to contribute original prints. These silkscreens were published in small signed/numbered editions (of 150) and today are quite rare. Artists participating in the project included Motherwell, Warhol, Lichtenstein, Indiana, Dine, Oldenburg, Rauschenberg, D'Arcangelo, Anuszkiewicz, Frankenthaler, Katz, Kelly, Nevelson, Rosenquist and others.

Medium: original lithograph. Catalogue reference: Mourlot 153. Printed by Mourlot Frères in an edition of 2000 for the Dix Ans d'Edition issue of Derrière le Miroir in 1956, published in Paris by Maeght. Sheet size: 14 1/2 x 20 1/2 inches (370 x 520 mm). There is a center fold, as issued. Signed in the plate (not by hand).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. Catalogue reference M 133. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original etching and drypoint with aquatint and roulette. "L’Hiver a Paris" is also known as "La Neige a Paris".  Executed in 1879 and published in Paris in 1881 for L'Art; the catalogue reference is Bourcard/Goodfriend 128. Image size: 9 1/2 x 13 3/4 inches (240 x 350mm). Signed in the plate with the Buhot monogram signature (not by hand). A fine impression on watermarked laid paper of this iconic Buhot etching.

Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with George Burr's monogram signature. The published edition consisted of 40 numbered impressions. Plate size: 6 7/8 x 9 7/8 inches (175 x 250 mm). American Impressionist George Elbert Burr is best known for Southwestern Art scenes such as this, and his etchings have become increasingly sought-after.

Condition: in good condition save for a faint mat stain, and with full original margins.

Medium: original lithograph. Catalogue reference M 239. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible lithographs. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Michel Casse and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Enrico Baj.

Medium: original etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich impression with plate tone, one of 150 printed on Johannot wove paper. The plate size is 10 3/4 x 8 1/4 inches (272 x 210 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: original lithograph. Catalogue reference M 248. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

The Profile and the Red Child
Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inches (320 x 244 mm). This Chagall lithograph was executed for and published in the "Lithographe I" catalogue raisonne. Not signed.

Medium: original lithograph. Catalogue reference M 243. This beautiful piece was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible lithographs. Verve was founded in 1937 to showcase original art by the leading printmakers of the day, with outstanding technical quality. Size: 14 x 10 1/4 inches (355 x 260 mm). Not signed.

The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works.

Medium: original lithograph. This is one of Chagall's whimsical self portraits, executed for the frontispiece of the "Chagall Lithographe I" catalogue and printed in Paris in 1960 by the atelier of Fernand Mourlot (reference: Mourlot 282). The sheet measures 12 1/2 x 9 1/2 inches (320 x 242 mm). Not signed.

Medium: original lithograph. Catalogue reference: Mourlot 82. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 14 x 10 3/8 inches (353 x 263 mm). There is a black and white Chagall lithograph printed on the back, as issued. Not signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. Catalogue reference: Mourlot 198. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the original lithographs Chagall contributed for a volume by Jacques Lassaigne. Size: 9 x 15 1/4 inches (230 x 387 mm). There is a center fold, as issued. Not signed.

Medium: original lithograph. Executed for the "Chagall Lithographe I" catalogue and printed in Paris in 1960 by the atelier of Fernand Mourlot (reference: Mourlot 288). The sheet measures 12 1/2 x 9 1/2 inches (320 x 244 mm). Not signed.

Medium: original lithograph. The catalogue reference is Mourlot 400. Printed in Paris in 1963 at the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240mm). This Chagall lithograph was executed for and published in the "Lithographe II" catalogue raisonne. Not signed.

Medium: lithograph (in smaller size after the original lithograph). This edition was published in Germany by Cassirer ca. 1903, and is now rare. Printed on smooth cream wove paper. Image size: 5 3/4 x 5 inches (150 x 120mm); the sheet size is 10 1/4 x 7 1/4 inches (280 x 225mm). Not signed.

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as published. Not signed.

Medium: original lithograph. Catalogue reference: Mourlot 201. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the original lithographs Chagall contributed for a volume by Jacques Lassaigne. Size: 7 3/4 x 9 inches (197 x 230 mm). Not signed.

Medium: original lithograph. Catalogue reference M 125. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference M 254. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference M 141. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference M 241. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference M 236. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference M 142. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. Size: 14 x 10 1/4 inches (355 x 262mm). Not signed.

Medium: original lithograph. Catalogue reference: Mourlot 195. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the original lithographs Chagall contributed for a volume by Jacques Lassaigne. Size: 9 x 7 3/4 inches (230 x 197 mm). Not signed.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 1/4 x 7 3/4 inches (260 x 196 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 8 3/4 x 3 1/4 inches (148 x 83 mm). Sheet size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Not signed.

(The House in my Village)
Medium: original lithograph. This piece is considered a Marc Chagall self portrait; the catalogue reference is Mourlot 283. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 1/2 inches (320 x 240mm). This Chagall lithograph was executed for and published in the "Lithographe I" catalogue raisonne. Not signed.

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 22 3/4 inches (408 x 580 mm). There is poetry text (composed by Walasse Ting) beneath the image and on verso, as issued. Signed in the plate (not hand-signed).

Note: This work was printed on two separate sheets which do not join together perfectly.

Medium: original lithograph. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet size 12 1/2 x 8 1/2 inches (318 x 220 mm). In good condition. Signed in the plate, not by hand.

The Movimento arte concreta (Concrete Art Movement), also known as MAC, was founded in Milan in 1948 by a group of Italian artists with their own unique aesthetic; principal among them were Atanasio Soldati, Gillo Dorfles, Bruno Munari and Gianni Monnet. The print offered here is a product of this movement, which brought together a number of artists who contributed original lithographs or serigraphs to this 1954 project. Among the artists represented in this portfolio were: Enrico Baj, Enrico Bordoni, Joe Colombo, Nino Di Salvatore, Gillo Dorfles, Asger Jorn, Plinio Mesciulam, Gianni Monnet, Bruno Munari, Bruna Pecciarini, Mauro Reggiani, Atanasio Soldati and Luigi Veronesi. Joe Colombo joined Enrico Baj in his Arte Nucleare movement. Vintage original prints by many of these artists are rarely encountered today.

Medium: original lithograph. Catalogue reference M 140. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. The Bible lithographs were highly acclaimed at the time of their publication, and today they are some of Chagall's most popular and sought-after works. Size: 13 1/4 x 9 3/4 inches (340 x 246 mm). Not signed.

Condition: the sheet has been trimmed.

Medium: original color lithograph. Catalogue reference: M 689. Executed in 1973 for the "The Biblical Message of Marc Chagall" and printed in Paris by Mourlot on wove paper. Size: 12 1/2 x 9 1/2 inches; 320 x 240 mm. Not signed.

Medium: original etching and drypoint. Printed on cream wove paper and published in Leipzig, Germany by Zeitschrift fur bildende Kunst in 1916/17. Their inscription is printed at the bottom of the sheet, which demonstrates the provenance. The plate measures 10 1/8 x 5 inches (258 x 125 mm). This piece is in the permanent collection of The Brooklyn Museum, of New York. A nice, rich impression. Not signed.

Medium: original lithograph. Catalogue reference: M 365. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9 3/8 inches (325 x 238 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 366. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9 3/8 inches (325 x 238 mm). Not signed.

Medium: original lithograph. Published in 1963 as the frontispiece of the "Braque Lithographe" catalogue raisonne, and printed in Paris by Mourlot Freres. The sheet measures 12 1/2 x 9 1/2 inches (315 x 240 mm). Signed in the stone (not by hand).

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Bernard Dufour.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Fred Deux.

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 5/8 x 7 3/8 inches (170 x 188 mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/2 x 5 inches (168 x 127 mm). Signed in the plate, not by hand.

Medium: original lithograph. Printed in 1949 for the art revue Derriere le Miroir (issue number 20-21- L'art abstrait) and published in Paris by the Maeght atelier. Sheet size: 15 x 21 3/4 inches (378 x 555 mm). Published as a folded sheet with a center crease and text on verso. Not signed.

Medium: original etching and drypoint. A rich, dark impression on laid paper, printed in 1900 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 4 1/2 x 8 5/8 inches (113 x 220 mm). Signed in the plate; not hand-signed.

Medium: original etching and aquatint with drypoint. Catalogue reference Bourcard/Goodfriend 154. This work is also known as "Le petit enterrement". Printed in 1902 on laid paper and published by Revue de l'art ancien et moderne. Plate size: 3 1/2 x 4 1/2 inches (87 x 113 mm). Signed in the plate with the Buhot owl monogram signature (not hand-signed).

Medium: original lithograph. Printed on buff colored thin wove paper and published in Milan in 1958 by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 3/8 x 8 1/2 inches (315 x 215 mm). There is printed text on the back, as issued (the text is a poem in Italian by Giorgio Simonotti-Manacorda). Signed in the plate, not signed by hand.

Condition: there is a tiny tear at the right edge of the sheet.

Medium: etching (etched by Gustave Greux after the Corot painting). This impression on japon paper was printed in 1880 at the Francois Lienard atelier and published in Paris by L'Art. Image size: 5 3/4 x 8 1/8 inches (148 x 205 mm). Mounted by the publisher (along the top edge) onto a larger support sheet. This impression was printed before lettering was added for the final published state. Signed in the plate (not by hand).

Medium: etching (etched by Théophile Narcisse Chauvel after the Corot painting). This impression on japon paper was printed in 1880 at the Francois Lienard atelier and published in Paris by L'Art. Image size: 7 3/8 x 10 1/2 inches (188 x 265 mm). Mounted by the publisher (along the top edge) onto a larger support sheet. This impression was printed before lettering was added for the final published state. Signed in the plate (not by hand)

Medium: original lithograph. Printed in Paris in 1975 at the atelier Mourlot and published as the frontispiece of the Mira Jacob catalogue raisonne of Paul Delvaux engraved works. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). Not signed.

Condition: there is a small bump to the bottom right corner of the sheet.

Medium: original lithograph. This striking composition was published in 1921 for Genius. Sheet size: 13 1/4 x 9 7/8 inches (340 x 250 mm) on wove paper. This original Archipenko print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. It was a major vehicle for the German Expressionists. Not signed.

Condition: the sheet has been trimmed, not affecting the composition.

Medium: original linoleum cut. Printed in 1938 for the art revue XXe Siecle (issue number 4) and and published in Paris by San Lazzaro. Sheet size: 12 1/2 x 9 5/8 inches (317 x 243 mm). Signed in the plate (not hand-signed). Note: Giorgio de Chirico executed a different composition on each side of the sheet (green on the front and red on the back).

Medium: original lithograph. The catalogue reference is Mourlot 401. Printed in 1963 at the Mourlot Freres atelier and published in the "Chagall Lithographe II" catalogue raisonne. Sheet size: 12 1/2 x 9 1/2 inches (318 x 240 mm). Not signed.

Condition: this work had been framed at one time by a previous owner, resulting in discoloration to the paper.

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 4 1/2 x 7 1/4 inches (117 x 182 mm). Signed in the plate, not by hand.

Condition: there is soiling in the margins and an old library stamp on verso.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Sheet size: 15 x 11 inches (377 x 275 mm). Not signed.

Condition: there is no margin on the left side, as printed; plus there is minor creasing near the bottom right corner.

Purgatory - plate 10
Medium: woodblock engraving. During the 1950's Salvador Dali was commissioned by the Italian Government to illustrate The Divine Comedy by Dante Alighieri. Dali created 101 watercolors to represent scenes from Dante's travels through Inferno, Purgatory and Paradise. However, the extravagantly surrealistic art works were not well received by the Italian public at the time and the government canceled the project. Fortunately, French publisher Joseph Foret was interested and work began on the engraving of woodblocks, chosen as the best medium to represent the nuances of Dali's compositions into print format. The woodblocks were destroyed after printing. This impression was printed on BFK Rives wove paper and issued in 1964 by Les Heures Claires in a total edition of 4765. The image measures 10 x 7 1/4 inches (255 x 187 mm) with full original margins; the full sheet measuring 13 x 10 1/4 inches (330 x 263 mm). The Divine Comedy is held to be one of Dali's masterpieces and the artist himself considered this series to be among his most important works. A rich, magnificent impression. Not signed.

Medium: original etching. A fine impression on japon paper, printed in Paris in 1926 for the Revue de l'Art ancien et moderne. The plate measures 10 3/8 x 7 1/8 inches (263 x 198 mm). Not signed.

Condition: the left margin is narrow (3mm).

Medium: original etching. This is the frontispiece etching published in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy, now quite scarce. The plate measures 7 5/8 x 5 3/8 inches (193 x 136mm). Signed in the plate (not hand-signed).

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 13 1/4 x 9 3/4 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom right corner.

Medium: original lithograph. Printed in 1965 by Mourlot Freres in an edition of 1000 on Arches paper for the "L'Atelier Mourlot" catalogue. Size: 10 x 7 1/4 inches (255 x 186 mm). Signed in the plate (not by hand).

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some scuffing and a few scratches to the printed surface. This work was issued as a folded sheet with a center crease.

Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2 x 8 1/2 inches (140 x 217 mm). Sheet size: 6 3/8 x 8 7/8 inches (163 x 225 mm). Summer Evening is considered one of the finer plates from this series. Not signed.

Condition: There is foxing to the paper, and the sheet has been trimmed by a previous owner, leaving narrow margins.

Medium: original lithograph. Published in Milan in 1969 by Alfonso Ciranna and printed on quality wove paper. Size: 14 x 10 inches (360 x 255 mm). A soulful self-portrait by Surrealist artist Giorgio de Chirico. Signed in the plate (not by hand).

Condition: there is discoloration near the left edge of the sheet.

Medium: etching. Etched by Felix Bracquemond after Corot. This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre portfolio. Image size: 4 7/8 x 5 3/4 inches (122 x 145 mm). Sheet size: 7 1/4 x 8 1/2 inches (185 x 213 mm). Signed in the plate, not hand-signed.

Condition: the margins have been trimmed and there is foxing to the paper.

Medium: original etching. A rich impression in sepia on wove paper, printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 11 x 7 3/4 inches (277 x 197 mm). Signed in the plate; not hand-signed.

Condition: there is wear and discoloration along the left edge where the publisher's tissue guard had been attached.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier of Jacques Desjobert and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Lucien Coutaud.

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Not signed.

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 133 mm). Sheet size: 10 1/2 x 7 5/8 inches (267 x 195 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 133 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: original lithograph. Printed in 1929 and published by the art and literary revue Byblis in an edition of 100. Sheet size: 11 x 8 1/4 inches (278 x 208 mm). This work is by French artist Robert Etienne Bonfils (1886-1971). Signed both in the plate and in pencil, and numbered 6/100.

Medium: original lithograph. Catalogue reference: Mourlot 192a. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. Chagall contributed this composition for the front cover of a volume by Jacques Lassaigne. Size: 9 x 7 7/8 inches (230 x 200 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate; not by hand.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (230 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 x 11 inches (205 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 1/2 x 10 3/4 inches (220 x 273 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 x 11 3/4 inches (177 x 303 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 1/4 inches (225 x 285 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (228 x 280 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 inches (220 x 282 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 1/2 x 11 inches (195 x 277 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: original etching. This impression on laid paper was published by the American Art Review in 1880. The etched image measures 5 3/4 x 3 1/2 inches; the plate measures 6 3/4 x 4 1/2 inches. Signed in the plate, not hand-signed.

The artist executed an earlier painting of the same composition; the painting is lighter and more whimsical, with the jester wearing a red suit and an impish grin as he pours himself a drink before performing ("keying up"). The etching is done in the reverse direction and has a darker, moodier quality. The Court Jester is considered to be William Merritt Chase's most important etching.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 3/4 x 5 inches (173 x 128 mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (163 x 123 mm). Not signed.

Medium: original lithograph. Printed in 1949 for the art revue Derriere le Miroir (issue number 20-21- L'art abstrait) and published in Paris by the Maeght atelier. Sheet size: 15 x 11 inches (380 x 277 mm). There is printed text on the back side, as published. Not signed.

Medium: lithograph (after the 1862 Degas painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 21 x 16 inches (540 x 406 mm) and the full sheet is 26 x 20 inches. Not signed.

Medium: pochoir with embossing. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 242 mm). A richly inked impression, parts of the design have a raised relief. Not signed.

Condition: there is a small bump to the bottom right corner of the sheet.

Medium: woodcut (engraved by Jacques Beltrand after Cezanne). This impression on cream laid paper was printed in 1914 and published by Bruno Cassirer and Theodore Duret. Image size: 5 x 3 inches (130 x 75 mm). Not signed.

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Image size: 6 5/8 x 4 7/8 inches (170 x 122 mm). Sheet size: 12 5/8 x 9 1/4 inches (320 x 235 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Signed in the plate (not by hand).

Medium: original soft ground etching. Published in Leipzig, Germany by Zeitschrift fur bildende Kunst in 1911. Their inscription is printed at the bottom of the sheet, which demonstrates the provenance. The plate measures 8 1/4 x 5 5/8 inches (210 x 145 mm); with full original margins. Not signed.

Condition: there is some foxing (mostly to the margins).

Medium: original woodcut. Executed by Heinrich Campendonck, this scene is after a painting by Pieter Bruegel. Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression was printed by Wolf & Sohn and is from the unsigned edition on watermarked wove paper. The image measures 5 5/8 x 6 3/4 inches (140 x 170 mm); in fine condition with full original margins. Not signed.

Medium: pochoir (after the collage). Printed by Jacomet for XXe Siecle in 1957 (issue number 8) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 243 mm). Not signed. A magnificent, richly inked impression!

Condition: there is creasing near two corners of the sheet.

Medium: original woodcut. Printed in 1950 for the art revue Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (377 x 553 mm). There is a center fold and printed text on verso, as published (the text shows through somewhat). Signed in the plate with the printed letters ARP, not hand-signed.

Medium: lithograph (after the gouache). Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). This lithograph is from the scarce "Prints from the Mourlot Press" portfolio, published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian. Not signed.

Medium: original lithograph. Printed in Paris in 1979 on Arches paper for the "Bernard Buffet Lithographe" catalogue raisonne. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

Condition: there is a small bump to the top left corner of the sheet.

Medium: etching (etched by Theophile Narcisse Chauvel after the Corot painting). This impression on laid paper was printed in 1880 at the Francois Lienard atelier and published in Paris by L'Art. Image size: 7 3/8 x 10 1/2 inches (188 x 265 mm). Signed in the plate (not by hand).

Condition: there is some age-toning and discoloration to the margins.

Medium: original lithograph. Executed in 1844. Catalogue references: Benedicte 26 and Fisher 4. This impression on wove paper was printed by Lemercier for Gazette des Beaux-Arts. Image size: 9 x 6 3/8 inches (227 x 160 mm). Sheet size: 10 5/8 x 7 inches (270 x 180 mm). Signed in the plate (not by hand).

Medium: original etching. Catalogue reference Delteil 126. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate size: 7 3/4 x 10 7/8 inches (196 x 275mm). Not signed.

Medium: original lithograph. Catalogue reference: Mourlot 608. Printed in Paris at the atelier Mourlot in 1970 for the art revue XXe Siecle (No. 34) and published by San Lazzaro. Size: 12 1/4 x 9 1/4 inches (310 x 237 mm). Not signed.

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Published in 1902 by Revue de l'art ancien et moderne. Plate size: 85 x 112 mm - (3 3/8 x 4 1/2 inches). Signed in the plate with the Buhot owl monogram signature (not hand-signed). A good impression with plate tone on wove paper with full margins.

Medium: lithograph (after the maquette for the stained glass window at the Chapelle St. Bernard). Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 11 inches (380 x 275 mm). Signed in the plate, not hand-signed.

Medium: original serigraph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Size: 11 1/8 x 8 3/8 inches (284 x 213 mm). Signed in the plate, not hand-signed.

Medium: original lithograph. Printed in 1946 by Andre Clot on Arches paper for the rare "Eloge de Pierre Bonnard" and published in Paris by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm). Sheet size: 12 3/4 x 9 3/4 (325 x 250 mm). Signed in the plate (not by hand) -- no impressions were hand-signed.

Medium: original lithograph. Printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. This impression was printed on china paper, and mounted along the top edge by the publisher onto a larger support sheet. Image size: 9 1/2 x 7 1/4 inches (242 x 185 mm). Signed in the plate (not hand-signed).

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Medium: original etching. Printed in 1904 at the Chardon Wittmann atelier and published in Paris by the Revue de l'art ancien et moderne. Plate size: 9 x 6 5/8 inches (230 x 168 mm). This is a fine impression on laid paper, bearing the Chardon Wittmann watermark. Signed in the plate, not by hand.

Medium: pochoir. Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by San Lazzaro for the art revue XXe Siecle (issue No. 9). Size: 12 1/2 x 9 1/2 inches (315 x 243 mm). A richly inked impression! Not signed.

Medium: original etching. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 6 1/8 x 8 3/8 inches (157 x 213 mm). Not signed.

Medium: original etching and drypoint. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 6 x 8 1/4 inches (153 x 210 mm). Not signed.

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size: 12 5/8 x 9 3/8 inches (322 x 238 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. Printed in Paris on Arches paper at the atelier Mourlot in 1987 for the "Bernard Buffet Lithographe II" catalogue raisonne. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

Condition: there is some discoloration to the paper, mostly on the back side.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (160 x 121 mm). Not signed.

Condition: there is some age-toning to the paper.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 9 x 6 inches (228 x 155 mm). Not signed.

Condition: there is some age-toning and discoloration to the paper.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 8 1/4 inches (159 x 218 mm). Signed in the plate, not by hand.

Condition: there is discoloration in the margins.

Medium: original etching. From the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. A beautiful impression on Marais wove paper, the plate size is 7 x 5 inches (180 x 125 mm). Not signed.

Condition: there is foxing in the margins.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing and soiling. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color" published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor color offsetting -- this particular Albers silkscreen was for many years pressed against another silkscreen inside the portfolio, resulting in some pigment rubbing off from one to the other.

Medium: lithograph (after the 1935 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 18 x 19 1/4 inches (460 x 490 mm) and the full sheet is 20 x 26 inches (500 x 645 mm). Signed in the plate, not hand-signed.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 3 3/4 x 6 1/2 inches (102 x 163 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: original etching. The full title is "An Italian Macaroni of the Eighteenth Century". A nice impression in reddish-brown ink on cream laid paper, published in 1887 by Frederick Stokes. Size: 11 3/4 x 8 7/8 inches (plate) with full margins. Signed in the plate, not hand-signed.

Condition: There are two tears in the margin (one extending just to the platemark).

Medium: original lithograph. Catalogue reference: Mourlot 394. Printed in Paris in 1963 by the atelier of Mourlot Frères. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). This Chagall lithograph was executed for and published in the "Lithographe II" catalogue raisonne. Not signed.

Medium: original etching. Printed in 1908 and published in Paris by Revue de l'art ancien et moderne. Plate size: 7 x 5 1/2 inches (180 x 140 mm). A rich, dark impression on laid paper. Signed in the plate (not by hand).

Condition: there is some rippling to the paper.

Medium: original lithograph. Catalogue reference: Mourlot 415. Printed in Paris in 1964 by Mourlot Freres in an edition of 2000 on Arches paper. This original Chagall lithograph was the cover of the scarce catalogue "Prints from the Mourlot Press" published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian. Size: 10 x 7 1/2 inches (253 x 190 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate (not by hand).

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: some color has rubbed off onto the left (white) side of the composition.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor scuffing.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. Size: 10 x 13 inches (255 x 330 mm). Not signed.

Condition: there is some wear.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 8 1/4 inches (160 x 210 mm). Not signed.

Condition: there is discoloration in the margins.

Medium: original woodcut. This is a richly inked impression printed on laid paper, executed for the hard to find XXe Siecle Christmas issue (No. 13), published in Paris in 1959 by San Lazzaro. Sheet size 12 3/8 x 9 inches (315 x 230 mm). Not signed.

Condition: the sheet has been trimmed slightly.

Medium: original lithograph. Catalogue reference K51. Published in 1919 for Genius. Image size: 9 1/2 x 8 1/2 inches (240 x 214mm). Printed on laid paper. Signed in the plate, not by hand.

This print is from GENIUS: Zeitschrift für Werdende und Alte Kunst, a deluxe art revue founded in 1919 in the aftermath of The First World War. Europe was devastated by the War, both physically and psychologically, and Expressionist art was attempting to create a new artistic idiom. This impression is from the first (and rarest) year of Genius.

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not by hand. The circus was a favorite theme with Bernard Buffet.

Condition: there are small bumps to two corners of the sheet.

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 3/8 inches (310 x 239 mm). There is printed text on the back, as issued. Signed in the plate, not by hand. The circus was a favorite theme with Bernard Buffet.

Condition: there are small bumps to two corners of the sheet.

Medium: lithograph (after the watercolor). Printed in 1939 at the Mourlot Frères atelier for the art revue Verve and published in Paris by Teriade. Size: 14 x 10 1/4 inches (355 x 263 mm). There is another lithograph printed on the back, as published. Not signed.

Medium: original etching. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate size: 6 3/8 x 9 1/8 inches (158 x 230mm). Signed in the plate (not by hand).

Condition: there is foxing and a printer's crease in the margin.

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 22 3/4 inches (408 x 580 mm). There is poetry text (composed by Walasse Ting) on verso, as issued. Not signed.

Note: This work was printed on two separate sheets which do not join together perfectly.

Medium: original etching. This impression on wove paper was printed in 1968 and published in Paris for the Humanisme actif portfolio. Plate size: 8 1/4 x 6 inches (210 x 153 mm). Signed in the plate (not by hand).

Medium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts. Image size: 5 x 8 1/2 inches (127 x 213 mm). Not signed.

Medium: original etching and aquatint in bistre. This impression on watermarked laid paper was printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 x 6 inches (230 x 153 mm). Not signed.

Medium: original lithograph. This impression was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Sheet size: 11 3/8 x 8 1/4 inches (290 x 210 mm). Signed in the plate, not by hand.

Condition: there is some rippling to the paper.

Medium: original etching. Printed in 1913 and published in Paris by the Revue de l'art ancien et moderne. Plate size: 4 3/8 x 5 5/8 inches (112 x 143 mm). A rich, dark impression on wove paper. Signed in the plate (not by hand).

Medium: original etching. This impression on laid paper was printed in 1910 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 9 3/8 x 7 inches (238 x 178 mm). Not signed.

Condition: remains of an old tissue guard in the margin along the left edge of the sheet.

Medium: lithograph (after the poster). This lithograph (in reduced size) was published in Paris in 1884 by Gazette des Beaux Arts. Size: 10 1/2 x 6 3/4 inches (268 x 170 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper and a stain in the margin on the right side.

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 1/4 x 13 3/4 inches (210 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 10 3/4 x 13 3/4 inches (272 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 5 x 13 3/4 inches (125 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: original lithograph. Printed on thin yellow-tinted japon paper. This work was published by Groupe Espace in Milan for the very rare Documenti d'Arte d'Oggi (1955-56). Size: 12 1/2 x 3 7/8 inches (320 x 100 mm) -- there are no margins. Signed in the plate, not by hand.

Condition: there is age-toning to the paper, and an old tape mount on the back.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 5 3/4 x 13 3/4 inches (145 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 10 1/4 x 13 3/4 inches (260 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 10 1/2 x 13 3/4 inches (265 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 9 5/8 x 13 3/4 inches (244 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 4 3/8 x 13 3/4 inches (110 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 5 3/4 x 13 3/4 inches (148 x 350 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate, not hand-signed.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: lithograph (after the painting). Printed in 1966 for the front cover of Derriere le Miroir (issue number 162) and published in Paris by Maeght. Sheet size: 15 x 11 inches (377 x 277 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Condition: there is some wear.

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This was executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills, and he created a different composition for each of the Twelve Tribes of Israel. Image size: 11 5/8 x 8 1/2 inches (295 x 215 mm). Sheet size: 12 3/4 x 9 1/2 inches (325 x 242 mm). Not signed.

Medium: pochoir (after the drawing). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 1/8 x 7 5/8 inches (257 x 194 mm). Not signed.

Condition: there is some age-toning to the paper.

Medium: original etching. Catalogue reference: Delteil 166. Printed in Paris and published in 1911 by Gazette des Beaux Arts. Plate size: 5 1/2 x 4 1/4 inches (140 x 109 mm). A rich, dark impression on watermarked Porcabeuf laid paper. Not signed.

Condition: there is a bit of foxing in the margin near the edge of the sheet, well away from the etched image.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Signed in the plate, not by hand.

Medium: mezzotint engraving (engraved by John Jones after the William Redmore Bigg painting). The full title is "Dulce Domum or the Return from School". Printed in 1790 and published in London by the painter himself. Image size: 17 1/2 x 24 inches (467 x 605 mm). Plate size: 19 x 24 3/4 inches (480 x 620 mm). Sheet size: 21 1/4 x 27 1/2 inches (540 x 703 mm). Not signed.

Condition: there is wear to the surface of the print, with soiling and discoloration in the margins.

Medium: etching (after the painting). Etched by Charles Courtry after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 5/8 x 5 3/4 inches (115 x 145 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 5 3/8 x 6 1/8 inches (135 x 157 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 1/2 x 6 1/4 inches (155 x 115 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 3 3/4 x 6 1/4 inches (95 x 160 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Condition: there is minor soiling in the margins.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: original etching. A rather atmospheric view of London's Thames River and a good impression on thin laid paper, published in Paris in 1909 for the Revue de l'art ancien et moderne. Plate size: 7 x 9 1/4 inches (175 x 240 mm). In fine condition (although with a narrow top margin). Not signed.

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size: 12 5/8 x 9 3/8 inches (322 x 238 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Condition: there is age-toning to the paper.