Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 8 5/8 x 12 inches (220 x 305 mm). Signed in the plate (not hand-signed).

Condition: the top edge of the sheet has been trimmed.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.

Jane Wilson was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 18 inches (303 x 455 mm). There is a fold in the middle and a Frank O'Hara poem incorporated into the composition.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Signed in the plate (not by hand).

Jane Wilson was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 9 inches (303 x 227 mm). There is a poem by Frank O'Hara above the lithograph.

Medium: lithograph (after the original Richard Winther composition). Printed on thin wove paper and published in Stockholm in 1956 for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 1/4 inches (270 x 185 mm). Not signed.

Condition: there is some creasing near the bottom left corner of the sheet.

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph in nine colors. Catalogue reference W-246. Printed in Paris in 1968 by Mourlot and published by Berggruen for the cover of their exhibition catalogue "Maitres-Graveurs Contemporains". Size: 8 5/8 x 9 3/8 inches (220 x 238mm). Published as a folded sheet with a center fold. Signed in the plate (not by hand).

Please note, this listing is for the cover lithograph only and does not include any other pages from this edition.

Condition: as this was the actual cover, there is wear around the edges, some creasing and a tear near the top center.

Medium: original lithograph. This impression on thin wove paper was printed in 1903 for Gustave Geffroy's "La Vie Artistique". Sheet size: 6 1/2 x 4 3/8 inches (165 x 112 mm). Signed in the plate, not hand-signed.

Condition: this lithograph was attached by the publisher along the right side onto the sheet beneath.

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 3/4 x 5 1/4 inches (200 x 135 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.

Medium: offset lithograph (after the painting). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 4 1/2 x 8 inches (114 x 204 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.

Medium: offset lithograph (after the painting). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 4 1/4 x 8 inches (110 x 204 mm). Not signed.

Condition: as originally published, this work is mounted along the top edge onto a brown backing sheet, which is itself mounted onto a stiff antique paperboard.

Medium: lithograph. Signed in pencil by the artist. Printed in 1962 for a book of short stories by Karl Wilczynski and published in Zurich by Viernheim Verlag in a limited edition of 350. Size: 8 3/4 x 7 1/4 inches (223 x 187 mm). There is printed text on the back side, as published. Samuel Wülser (1897-1977) was a Swiss artist.

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the plate size is 2 1/2 x 8 3/4 inches (63 x 223 mm). Signed in the plate; not hand-signed.

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Image size: 5 x 5 inches (125 x 130 mm). Not signed.

Condition: there is some foxing in the margins.

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. This impression on laid paper was printed from Weirotter's original plate. Plate size: 3 7/8 x 7 1/8 inches; 98 x 182mm. Not signed.

Medium: original etching. This impression on laid paper was printed in 1920 and published in Paris by Gazette des Beaux-Arts. Plate size: 6 3/8 x 5 3/4 inches (163 x 147 mm). Signed in the plate (not hand-signed).

Condition: trimmed margins.

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 10 1/4 x 8 inches (263 x 205 mm). Signed in the plate (not by hand).

Condition: the left margin is narrow.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children's book for hipsters". Size: 10 3/4 x 15 1/2 x 2 inches (275 x 394 x 45 mm). A classic Warhol work of Pop Art from his Factory period, at the height of the New York psychedelic scene. Not signed.

Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid paper was printed from the original Anthonie Waterloo plate. Plate size: 4 3/4 x 5 5/8 inches; 117 x 145mm. Not signed.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/2 x 2 1/8 inches (113 x 54 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/4 x 2 inches (107 x 50 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/4 x 2 inches (107 x 50 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm); the image measures 5 3/4 x 7 inches (143 x 175 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.