Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a special insert presented with the deluxe edition of Robert Goldwater's "Rufino Tamayo". Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 1/8 x 8 1/8 inches (282 x 205 mm). A rich and beautifully printed impression.

Medium: original etching and aquatint. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as the frontispiece of the deluxe edition of Robert Goldwater's "Rufino Tamayo". The edition size was limited to 80. Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 7/8 x 8 5/8 inches (300 x 220 mm). A rich and beautifully printed impression. Not signed.

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project "Surréalisme en 1947". Issued in a limited edition of 999. Sheet size: 9 3/8 x 8 inches; 240 x 204mm. Signed in the plate (not hand-signed).

Condition: there is a small mark in the paper near the right of center.

Medium: mezzotint. Catalogue reference: Hardie 95. Executed in 1913 by Sir Frank Short after J. M. W. Turner and signed in pencil by Sir Frank Short. Printed on chine-collé paper in an edition of 50. Plate size: 10 7/8 x 15 3/4 inches. Some consider that Sir Frank Short was at his best when interpreting J. M. W. Turner.

Condition: some age-toning and discoloration to the paper.

Coriolanus and his Mother
Medium: original woodcut. Signed in pencil by Peter Trumm and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is one of the deluxe signed edition of 300 printed on thin japon paper. The image measures 9 5/8 x 12 1/2 inches (245 x 315 mm); a fine impression with full original margins.

Condition: there are old tape mounts in the margin, not affecting the image; and some foxing.

Medium: original lithograph. Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 1/2 inches (408 x 290 mm). There is poetry text (also composed by Walasse Ting) printed on the back side, as issued. Not signed.

Medium: lithograph (after the theater program). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 8 x 6 1/2 inches (207 x 164 mm). Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate with the Toulouse-Lautrec monogram, not hand-signed.

Condition: there is age-toning to the paper and a library stamp on the back.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 15 1/2 x 20 1/2 inches (390 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 5 3/4 x 3 3/4 inches (143 x 98mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 5 3/4 x 3 3/4 inches (143 x 98mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impression printed on cream laid paper. Plate size: 3 3/4 x 5 3/4 inches (98 x 143mm) with full original margins. Signed in the plate (not by hand).

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 20 3/4 x 15 3/4 inches (525 x 400 mm) and the full sheet measures 23 x 19 inches (590 x 475 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: mezzotint. Engraved by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed in 1924 on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in London by The Museum Galleries, with the publisher's blindstamp in the margin. Image size: 13 1/4 x 17 3/4 inches (332 x 447 mm). Plate size: 16 1/4 x 21 1/4 inches (417 x 540 mm). Sheet size: 21 x 27 inches (535 x 690 mm).

Condition: there is age-toning to the paper, and a mat stain in the margin. This work was attached with glue many years ago onto a stiff paperboard backing sheet.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 20 1/4 x 15 3/4 inches (515 x 400 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 15 3/4 x 20 1/2 inches (400 x 520 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1958 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 1/2 inches (305 x 218 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 5 3/4 x 8 3/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/8 x 8 3/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/4 x 9 3/8 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 1/2 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 x 9 1/4 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 5 3/4 x 9 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by John and Arthur Arch. Image size: 6 x 9 1/2 inches. Sheet size: 13 x 17 1/2 inches (325 x 447 mm) with full original margins. There is a platemark surrounding the image (not shown in this photo). Not signed.