Giuseppe de Nittis original etching "Vue prise a Londres" London
Medium: original etching with drypoint. Catalogue reference: Fiorani 38. This impression on laid paper was printed in 1884 and published in Paris by the Gazette des Beaux Arts. Plate size: 5 1/2 x 8 5/8 inches (140 x 220 mm). Sheet size: 7 x 10 5/8 inches (177 x 268 mm). Not signed.
Ernst Wilhelm Nay woodcut, 1953
Medium: color woodcut. Catalogue reference: Gabler 44. Printed in Paris and published in 1953 by Editions d'Art d'Aujourd'hui, of Boulogne. Sheet size, including margins: 11 3/4 x 8 1/8 inches (300 x 206 mm). A richly inked impression, as usual from this now rare series. Not signed.
Condition: the margins have been trimmed and there is a stain near the bottom left.
Giuseppe de Nittis original etching "Femme assise sur un canape"
Medium: original etching with drypoint. Catalogue reference: Fiorani 23. This impression on laid paper was printed in 1913 and published by Gazette des Beaux Arts. The image size is 4 3/4 x 8 inches (120 x 203 mm) and the full sheet measures 7 x 10 7/8 inches (175 x 275 mm). Not signed.
Heinrich Nauen "Mutter und Kind" original etching
Medium: original etching. Printed on laid paper in 1919 for Genius. Plate size: 9 1/2 x 7 1/2 inches (240 x 190mm). This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kunst, a deluxe art revue founded in 1919 in the aftermath of The First World War. Europe was devastated by the War, both physically and psychologically, and Expressionist art was attempting to create a new artistic idiom. Not signed.
Maurice Neumont original lithograph "Parisienne"
Medium: original lithograph. This impression on thin China paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 7/8 x 6 3/8 inches (250 x 162 mm). This work was attached by the publisher onto a larger support sheet (the photo here shows the full sheet). Signed in the plate; not hand-signed.
Nils Nixon lithograph "Ytor kring en linje"
Medium: lithograph (after the original Nils Nixon composition). Printed in 1956 on thin wove paper and published in Stockholm for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 3/8 inches (270 x 188 mm). Not signed.
Maurice Neumont lithograph poster "Bal des Incoherents"
Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/4 x 7 inches (235 x 170 mm). Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate (not by hand).
Condition: there is age-toning to the paper and a library stamp on the back.
Maurice Neumont lithograph poster "Bal des Incoherents"
Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 x 6 inches (225 x 150 mm). Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate (not by hand).
Condition: there is age-toning to the paper and a library stamp on the back.
Mario Nigro original lithograph | Arte Concreta, Groupe Espace
Medium: original lithograph. Executed for the second volume (1956-57) of very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 3/4 x 8 1/2 inches (323 x 220 mm). Signed in the plate, not hand-signed.
Condition: there is some aging to the paper.
Documenti d'Arte d'Oggi was an ongoing project of the Concrete Art Movement (Movimento arte concreta). This important portfolio consisted of original silkscreens, serigraphs, lithographs, woodcuts and linoleum cuts on various types of paper, compiled into an annual album from 1954-1958. Among the artists represented in this issue were: Aagaard Andersen, Enrico Bordoni, Angelo Bozzola, Guiseppe Capogrossi, Gillo Dorfles, Galliano Mazzon, Gianni Monnet, Bruno Munari, Mario Nigro, Sandro Pessina, Vivaldo Poli, Carol Rama, Regina, Manlio Rho, Nino Di Salvatore, Emilio Scanavino, Tito Varisco, Luigi Veronesi and Simonetta Vigevani Jung. Original prints by most of these artists are rare.
Babette New original lithograph
Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Louis Neillot original etching "De la Sante aux Gobelins"
Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Image size: 6 1/2 x 9 inches (160 x 235 mm). There is printed text beneath the etching and on the back side, as published (see the second photo). Signed in the plate (not hand-signed).
Elias Newman original lithograph
Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1958 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 1/2 inches (305 x 218 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Rhoda Holmes Nicholls chromolithograph "A Shrine in Chioggia" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful impression printed on cream wove paper. Image size: 3 3/4 x 2 3/4 inches (93 x 70 mm). Sheet size: 7 x 4 1/4 inches (177 x 105 mm). Not signed.
Rhoda Holmes Nicholls chromolithograph "Amphibious Boys" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful impression printed on cream wove paper. Image size: 3 3/4 x 2 3/4 inches (95 x 65 mm). Sheet size: 7 x 4 1/4 inches (177 x 105 mm). Not signed.
Rhoda Holmes Nicholls chromolithograph "A Water-Gate" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful impression printed on cream wove paper. Image size: 3 5/8 x 2 1/2 inches (92 x 64 mm). Sheet size: 7 x 4 1/4 inches (177 x 105 mm). Not signed.
Rhoda Holmes Nicholls chromolithograph "St Mark's during Service" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful impression printed on cream wove paper. Image size: 3 1/2 x 2 1/2 inches (90 x 65 mm). Sheet size: 7 x 4 1/4 inches (177 x 105 mm). Not signed.
Reuben Nakian lithograph, 1967
Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Signed in the plate (not by hand).
Reuben Nakian was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 18 inches (303 x 455 mm). There is a fold in the middle and a Frank O'Hara poem on one side.
Elias Newman original lithograph
Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in an edition of 2000. Size: 8 5/8 x 12 inches (220 x 305 mm). Signed in the plate (not hand-signed).
Condition: the top edge of the sheet has been trimmed.
Elias Newman original lithograph
Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Elias Newman original lithograph
Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.