Medium: original offset lithograph. Printed on semi-translucent vellum-like Giama Natural paper by Universal Limited Art Editions (ULAE) and published in 2014 as a special insert for Art in America. Size: 15 x 10 7/8 inches (380 x 275 mm). This work was issued as a folded sheet and retains the horizontal crease. Signed in the plate (not by hand).

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: lithograph. Printed in 1955 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Size: 8 1/2 x 12 1/2 inches (215 x 317 mm). Not signed.

Condition: there is wear and soiling.

Medium: lithograph. Published in Milan by Groupe Espace for the very rare 1955-56 volume of Documenti d'Arte d'Oggi. Size: 8 1/2 x 12 1/2 inches (215 x 318 mm). Not signed.

Condition: there is a crease near the bottom right corner.

The Movimento arte concreta (Concrete Art Movement), was a group of avant-garde artists working in Italy during the 1950's. Among the artists who contributed prints for this issue were: Enrico Bordoni, Joe Colombo, Regina, Nino Di Salvatore, Gillo Dorfles, Gianni Monnet, Bruno Munari, Luigi Veronesi, Tito Varisco, Carol Rama, Simonetta Vigevani Jung and Lucio Fontana. These prints are quite rare today.

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Size: 8 3/8 x 12 3/8 inches (214 x 314 mm). There is text on verso, as published. Signed in the plate (not signed by hand).

Medium: original lithograph. Printed in 1970 by Triton Press and published by Art In America. Size: 14 x 11 1/4 inches (358 x 284 mm). There is a horizontal center fold, as originally issued. Signed in the plate (not hand-signed).

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 x 6 1/2 inches (130 x 166 mm). Signed in the plate, not by hand.

Condition: there is soiling in the margins and an old library stamp on verso.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.

Jasper Johns was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 9 inches (303 x 227 mm). There is a poem by Frank O'Hara above the lithograph.

Medium: original etching. This impression on cream laid paper was published by the Gazette des Beaux-Arts in 1903. Plate size: 4 3/4 x 8 3/4 inches (125 x 220 mm). Signed in the plate, not hand-signed.

Condition: there is foxing to the paper, mostly in the margins.

Medium: original etching. Printed in 1915 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper. Plate size: 4 3/4 x 6 3/4 inches (125 x 175 mm). Not signed.

Medium: lithograph. Printed in 1955 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Image size: 6 3/8 inches in diameter (163 mm). Sheet size: 12 1/2 x 8 1/2 inches (318 x 217 mm). Not signed.

Condition: there are small bumps at two corners.

Medium: original etching. Printed in Paris by Lacourière and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Plate size: 6 1/4 inches diameter; 160mm. Sheet size: 9 1/8 x 7 7/8 inches (232 x 200 mm). Not signed.

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 3/4 x 7 7/8 inches (120 x 198mm). Signed in the plate by Barbizon artist Charles Jacque (not by hand).

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This impression was printed in 1901 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 5/8 x 5 1/8 inches (195 x 130 mm). Signed in the plate, not by hand.

Condition: there is some rippling to the paper.

Medium: etching (etched by Jules Jacquemart after Vermeer). This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Image size: 6 1/2 x 6 inches (166 x 153 mm). Signed in the plate, not by hand.

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 380. Size: 10 x 12 3/4 inches (250 x 324 mm). Signed in the plate (not by hand).

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon artist Charles Emile Jacque. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Image size: 7 5/8 x 6 3/8 inches (194 x 162 mm). Signed in the plate, not by hand.

Medium: lithograph (after the original Albert Johansson composition). Printed on thin wove paper and published in Stockholm in 1956 for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 1/4 inches (270 x 185 mm). Not signed.

Condition: there is some creasing near the bottom left corner of the sheet.

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Image size: 5 x 7 1/2 inches (125 x 190 mm). Signed in the plate (not by hand).

Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on cream laid paper was published in Paris by L'Art in 1880. The image measures 5 1/2 x 4 3/4 inches. Signed in the plate, not hand-signed.

Medium: original etching. This impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 11 1/4 x 8 inches. Signed in the plate (not by hand).

Condition: there is minor wear and foxing to the paper, mostly in the margins.

Medium: offset lithograph. Executed by Jasper Johns in 1991 for the front cover of a scarce exhibition catalogue, published in New York by Brooke Alexander in an edition of 3000. The sheet measures 11 x 16 1/2 inches. There is a center fold, as issued. Please note, this listing is for the front cover only and does not include any other lithographs from this edition. Not signed.

Condition: as this was the actual cover, there is wear and discoloration.

Medium: offset lithograph. Executed by Jasper Johns in 1991 for the back cover of a scarce exhibition catalogue, published in New York by Brooke Alexander in an edition of 3000. The sheet measures 11 x 16 1/2 inches. There is a center fold, as issued. Please note, this listing is for the back cover only and does not include any other lithographs from this edition. Not signed.

Condition: as this was the actual cover, there is wear and discoloration.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982 Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 8 7/8 inches (314 x 225 mm). Signed in the image, not by hand.

Condition: the margin has been trimmed on the left side.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.