Medium: original serigraph. Signed and numbered in pencil 82/150. Executed in 1965 for the Paris Review (catalogue reference: Burchfield 2). The image size is 29 x 25 inches and the full sheet size is 40 x 26 inches. An iconic example of 1960's Pop Art.

Condition: there is some wear around the edges of the sheet.

In 1965 the leading Pop and Abstract artists of the era were commissioned by the Paris Review to contribute original prints. These silkscreens were published in small signed/numbered editions (of 150) and today are quite rare. Artists participating in the project included Motherwell, Warhol, Lichtenstein, Indiana, Dine, Oldenburg, Rauschenberg, D'Arcangelo, Anuszkiewicz, Frankenthaler, Katz, Kelly, Nevelson, Rosenquist and others.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 1/4 x 10 inches (335 x 253 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 3/8 x 10 3/8 inches (340 x 261 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: watercolor on paper. Signed near the bottom left corner. Size: 7 1/2 x 14 inches (188 x 355 mm). Lucille Fox Delano (1902-1987) was best known for California art. Condition: there is foxing on the back side of the paper, but this is not evident on the surface of the painting.

Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929. Plate size: 7 3/4 x 6 1/2 inches (196 x 167 mm). Sheet size: 12 x 9 1/4 inches (305 x 234 mm). Signed in the plate with Arthur B. Davies' stamp signature at lower right and signed in pencil by printer Frank Nankivell at lower left.

Condition: there is creasing to the paper.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 1/4 x 7 3/4 inches (260 x 196 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. Catalogue reference: Cailler 135. This is an interpretation by Maurice Denis of one of Paul Cezannes's still life compositions, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 1/4 x 7 1/4 inches (160 x 185 mm). Sheet size: 10 3/4 x 14 1/2 inches (273 x 370 mm). Signed in the plate; not hand-signed.

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 22 3/4 inches (408 x 580 mm). There is poetry text (composed by Walasse Ting) beneath the image and on verso, as issued. Signed in the plate (not hand-signed).

Note: This work was printed on two separate sheets which do not join together perfectly.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Bernard Dufour.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Fred Deux.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 5/8 x 7 3/8 inches (170 x 188 mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/2 x 5 inches (168 x 127 mm). Signed in the plate, not by hand.

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich, magnificent impression, one of 150 printed on Johannot wove paper. The full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: original lithograph. Printed in Paris in 1975 at the atelier Mourlot and published as the frontispiece of the Mira Jacob catalogue raisonne of Paul Delvaux engraved works. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

Medium: original linoleum cut. Printed in 1938 for the art revue XXe Siecle (issue number 4) and and published in Paris by San Lazzaro. Sheet size: 12 1/2 x 9 5/8 inches (317 x 243 mm). Signed in the plate (not hand-signed). Note: Giorgio de Chirico executed a different composition on each side of the sheet (green on the front and red on the back).

Purgatory - plate 10
Medium: woodblock engraving. During the 1950's Salvador Dali was commissioned by the Italian Government to illustrate The Divine Comedy by Dante Alighieri. Dali created 101 watercolors to represent scenes from Dante's travels through Inferno, Purgatory and Paradise. However, the extravagantly surrealistic art works were not well received by the Italian public at the time and the government canceled the project. Fortunately, French publisher Joseph Foret was interested and work began on the engraving of woodblocks, chosen as the best medium to represent the nuances of Dali's compositions into print format. The woodblocks were destroyed after printing. This impression was printed on BFK Rives wove paper and issued in 1964 by Les Heures Claires in a total edition of 4765. The image measures 10 x 7 1/4 inches (255 x 187 mm) with full original margins; the full sheet measuring 13 x 10 1/4 inches (330 x 263 mm). The Divine Comedy is held to be one of Dali's masterpieces and the artist himself considered this series to be among his most important works. A rich, magnificent impression. Not signed.

Medium: original etching. This is the frontispiece etching published in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy, now quite scarce. The plate measures 7 5/8 x 5 3/8 inches (193 x 136mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Published in Milan in 1969 by Alfonso Ciranna and printed on quality wove paper. Size: 14 x 10 inches (360 x 255 mm). A soulful self-portrait by Surrealist artist Giorgio de Chirico. Signed in the plate (not by hand).

Condition: there is discoloration near the left edge of the sheet.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 3/4 x 5 inches (173 x 128 mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (163 x 123 mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 8 1/2 x 6 1/4 inches (215 x 160 mm). Not signed.

Medium: lithograph (after the Daumier painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 13 x 9 1/2 inches (330 x 240 mm) and the full sheet is 26 x 20 inches. Signed in the plate; not hand-signed.

Condition: there is age-toning and discoloration in the margin, not affecting the lithographed image.

Medium: lithograph (after the 1862 Degas painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 21 x 16 inches (540 x 406 mm) and the full sheet is 26 x 20 inches. Not signed.

Medium: original etching with drypoint. Catalogue reference: Fiorani 23. This impression on laid paper was printed in 1913 and published by Gazette des Beaux Arts. The image size is 4 3/4 x 8 inches (120 x 203 mm) and the full sheet measures 7 x 10 7/8 inches (175 x 275 mm). Not signed.

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 1/2 x 16 1/2 inches (318 x 420 mm). This work was published as a folded sheet with a center fold. Signed in the plate; not hand-signed.

Condition: minor creasing.

Medium: pochoir (after the collage). Printed by Jacomet for XXe Siecle in 1957 (issue number 8) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 243 mm). Not signed. A magnificent, richly inked impression!

Condition: there is creasing near two corners of the sheet.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 22 3/4 inches (408 x 580 mm). This lithograph was published as a folded sheet with a center fold. Not signed.

Medium: original etching. Catalogue reference Delteil 126. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate size: 7 3/4 x 10 7/8 inches (196 x 275mm). Not signed.

Medium: engraving with pochoir coloring. This recreation (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (160 x 121 mm). Not signed.

Condition: there is some age-toning to the paper.