John Constable mezzotint "Summer Evening"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2 x 8 1/2 inches (140 x 217 mm). Sheet size: 6 3/8 x 8 7/8 inches (163 x 225 mm). Summer Evening is considered one of the finer plates from this series. Not signed.
Condition: There is foxing to the paper, and the sheet has been trimmed by a previous owner, leaving narrow margins.
John Constable mezzotint "East Bergholt"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 3/4 x 9 1/4 inches (197 x 238 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "A Dell, Helmingham Park, Suffolk"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 9 inches (175 x 222 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Autumnal Sun Set"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 10 inches (175 x 252 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "View on the River Stour"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 8 1/2 inches (175 x 220 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Stoke by Nayland Suffolk"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 9 3/4 inches (177 x 248 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Jacques and the Wounded Stag"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 9 1/2 inches (175 x 240 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Summer Evening"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 6 3/4 x 10 inches (174 x 252 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Spring"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 6 x 10 inches (152 x 250 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "Mill Stream"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 8 3/4 inches (173 x 218 mm). Sheet size: 11 1/4 x 16 1/2 inches (285 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "A Heath"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 6 3/4 x 8 1/2 inches (173 x 217 mm). Sheet size: 11 3/4 x 16 1/2 inches (290 x 420 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
John Constable mezzotint "River Stour, Suffolk"
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 10 inches (177 x 254 mm). Sheet size: 9 1/2 x 14 inches (243 x 357 mm). Constable and Lucas collaborated closely in the making of these prints -- in fact, Lucas was known as "Constable's Engraver" and the great painter would work with no other. Not signed.
Condition: the margins have been trimmed and there is foxing in the margins.