Post-Impressionist Art Movement

Medium: serigraph (after the 1911 watercolor). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 x 19 inches (377 x 488 mm). Sheet size: 20 x 26 inches (510 x 660 mm). Signed in the plate (not by hand).

Condition: there is minor creasing in the margin, not affecting the image.

The English title is "Delicious Earth". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 14 x 8 inches (360 x 205 mm).

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 x 8 3/4 inches (150 x 220 mm). Sheet size: 10 3/4 x 15 inches (273 x 383 mm). Not signed.

Condition: there is a crease in the paper near the top right and a few spots of foxing in the margins.

The English title is "Changing Residence". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 12 inches (163 x 305 mm).

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Plate size: 8 3/4 x 6 1/8 inches (220 x 155 mm). Sheet size: 10 5/8 x 6 3/4 inches (270 x 172 mm). This impression on laid paper bears the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the left margin is narrow with a small crease.

The English title is "Be in Love and You Will Be Happy". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 10 3/4 inches (160 x 273 mm).

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original lithograph. Catalogue reference: Cailler 135. This is an interpretation by Maurice Denis of one of Paul Cezannes's still life compositions, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 1/4 x 7 1/4 inches (160 x 185 mm). Sheet size: 10 3/4 x 14 1/2 inches (273 x 370 mm). Signed in the plate; not hand-signed.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 x 7 1/4 inches (102 x 182 mm). The special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 3/4 x 12 inches (170 x 305 mm). The special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Sheet size: 8 1/2 x 6 inches (217 x 151 mm). This impression on laid paper bears the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the margins have been trimmed.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 5 1/2 x 8 3/4 inches (140 x 223 mm). The special paper used has some natural variations to the surface.

Condition: there are a few spots of foxing. The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 1/4 x 7 1/4 inches (110 x 183 mm).

Condition: the special paper used has some natural variations to the surface. The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze Aquarelles portfolio. Image size: 15 3/8 x 10 1/2 inches (390 x 265 mm). Sheet size: 21 x 16 inches (530 x 410 mm). It was mounted by the publisher along the top edge onto a larger support sheet and bears the Daniel Jacomet stamp on the reverse. Not signed.

Medium: lithograph (after the drawing). This composition was executed by Felix Vallotton in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 7 1/4 x 9 1/2 inches (185 x 245 mm). Sheet size: 10 5/8 x 14 7/8 inches (270 x 377 mm). Not signed.

Condition: there is foxing in the margins.

Medium: lithograph (after the theater program). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 8 x 6 1/2 inches (207 x 164 mm). Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate with the Toulouse-Lautrec monogram, not hand-signed.

Condition: there is age-toning to the paper and a library stamp on the back.

The English title is "The Fei Carrier". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/2 x 11 inches (165 x 280 mm). In good condition with good margins; the special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: lithograph (after the Paul Cezanne painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 10 3/4 x 13 1/4 inches (270 x 340 mm) and the full sheet is 20 x 26 inches. Not signed.

Condition: there is age-toning and discoloration in the margin, not affecting the lithographed image.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 15 1/2 x 20 1/2 inches (390 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

The English title is "Human Misery, Souvenir of Brittany". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 7 3/4 x 11 3/4 inches (195 x 295 mm). In good condition with good margins; the special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 20 3/4 x 15 3/4 inches (525 x 400 mm) and the full sheet measures 23 x 19 inches (590 x 475 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: original lithograph. Catalogue reference: Guerin 265. This lithograph was executed by Aristide Maillol in homage to Paul Cezanne. Printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 x 8 3/4 inches (155 x 220 mm). Sheet size: 11 x 15 inches (275 x 383 mm). Signed in the plate; not hand-signed.

Condition: there is some foxing to the paper.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 20 1/4 x 15 3/4 inches (515 x 400 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was printed in 1969 and published in London by the Toulouse-Lautrec Circle, and embossed with their dry stamp seal. Issued in an edition of 1250, this impression is numbered in pencil 1178/1250.
Size: 15 3/4 x 20 1/2 inches (400 x 520 mm). This is the same size as the original, and as faithful as possible in every way, including having been printed on paper from the same mill in Docelles, France that was used by Lautrec's publisher Gustave Pellet for the originals. Signed in the plate (not by hand).

Condition: This work was mounted by the publisher onto a larger support sheet.

Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze Aquarelles portfolio. Image size: 18 x 11 inches (453 x 287 mm). Sheet size: 21 x 16 inches (530 x 410 mm). It has been mounted by the publisher onto a larger support sheet. Not signed.

Medium: original lithograph. Printed in 1930 in an edition of 250 and published in New York by The Downtown Gallery. Size: 10 x 6 3/4 inches (252 x 172 mm). Signed in the plate; not hand-signed.

Medium: original lithograph. This impression was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Sheet size: 11 3/8 x 8 1/4 inches (290 x 210 mm). Signed in the plate, not by hand.

Condition: there is some rippling to the paper.

Medium: lithograph (after the poster). This lithograph (in reduced size) was published in Paris in 1884 by Gazette des Beaux Arts. Size: 10 1/2 x 6 3/4 inches (268 x 170 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper and a stain in the margin on the right side.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (135 x 80 mm). Not signed.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (135 x 80 mm). Signed in the plate, not by hand.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 1/8 inches (133 x 80 mm). Signed in the plate, not by hand.

Medium: original etching. Published in Vienna by Gesellschaft für Vervielfältigende Kunst in 1903. The plate measures 4 1/2 x 7 inches (115 x 178 mm). A fine, dark impression printed on wove paper. Signed in the plate, not hand-signed.

Condition: the margins have been trimmed by a previous owner and are very narrow; with a crease to the bottom left corner.

Medium: lithograph (after the drawing). This composition was executed by Paul Signac in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 8 x 4 1/2 inches (245 x 240 mm). Sheet size: 15 x 10 1/2 inches (378 x 268 mm). Not signed.

Condition: there is foxing and discoloration to the paper.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Not signed.

Condition: there is age-toning to the paper and a library stamp on the back.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/4 x 2 inches (107 x 50 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/4 x 2 inches (107 x 50 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: woodcut. Executed by Max Weber in 1926 for his art and poetry project "Primitives", published in New York in a limited edition of 350. The image measures 4 1/2 x 2 1/8 inches (113 x 54 mm). There is poetry text printed on the back side, as issued. This impression in brown ink on handmade wove paper is signed in pencil with the initials "M. W." It is not certain if this is the artist's own signature.

Medium: lithograph (after the poster). This lithograph (in reduced size) was published in Paris in 1884 by Gazette des Beaux Arts. Size: 10 5/8 x 7 inches (265 x 180 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper.

Medium: lithograph (after the poster). Printed in 1897 and published in Paris by Librairie Nilsson. Size: 17 x 11 inches (430 x 277 mm). Signed in the plate (not by hand).

Condition: there is soiling and aging to the paper, with several folds. There is wear around the bottom left corner.