Pablo Picasso Art

Medium: lithograph, collage and stencil poster. This work consists of a lithograph mounted onto brown wove paper, with a collage of hand-cut newsprint letters and stenciled text in red and blue ink. On verso is a stamp stating that this affiche (poster) was issued in a limited edition of 60 and that this is copy number 1 (see photos).

The lithograph itself appears to be a slightly different state of "Tête de femme". It is known that Tete de femme (references Bloch 384; Mourlot 4) was executed by Picasso in 1945 and issued in an edition of 50 with Picasso's red pencil signature but with no plate signature. The lithograph offered here is printed on Arches laid paper and is signed in the stone, but is not hand-signed.

The size of the lithograph portrait is 11 3/4 x 8 1/4 inches (300 x 210 mm) and the full poster measures 19 3/4 x 13 inches (500 x 325 mm).

Condition: there are pinholes at each corner of the poster, with minor creasing throughout. The lithograph shows a horizontal crease near the top, where it is attached to the support sheet. Extremely rare!

Medium: original lithograph. Printed in 1954 at the Mourlot Freres atelier and published in New York by The Noonday Press in an edition of 64 for the "Elegy of Ihpetonga and Masks of Ashes" portfolio. Ihpetonga was the name given by the Canarsie Indians to the part of Brooklyn now known as Columbia Heights. Printed on Arches wove paper with deckle edges, the sheet measures 13 x 9 7/8 inches (330 x 251 mm). This work was mounted by the publisher onto a support sheet of black paper. Not signed.

Medium: pochoir (after the 1920 watercolor). Printed in Paris in 1926 in a limited edition of 700 and published by Christian Zervos for the art revue Cahiers d'Art. Image size: 7 3/4 x 6 inches (197 x 153 mm). Sheet size: 11 x 8 3/4 inches (280 x 220 mm). Signed in the plate, not hand-signed.

Condition: there are a few spots of foxing in the margin, not affecting the pochoir image.

Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and this work is a lucky find.

Medium: lithograph (after the drypoint on three zinc plates). Printed in 1945 on heavy wove paper by Lithographie Parisienne for Cahiers d'Art. Size: 12 5/8 x 9 1/2 inches (320 x 243 mm). Signed in the plate, not by hand.

Condition: there is age-toning to the paper and minor wear around the edges.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 5/8 x 6 inches (195 x 152 mm). Sheet size: 10 5/8 x 8 inches (270 x 203 mm). Signed in the plate (not hand-signed).

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper. Image size: 6 3/4 x 4 inches (172 x 105 mm). Sheet size: 13 x 9 3/4 inches (325 x 250 mm). Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 1/2 x 4 1/4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 7 x 4 1/4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 3/4 x 4 1/4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: pochoir (after the painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 3/4 x 8 1/8 inches (147 x 205 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not hand-signed).

Condition: there is soiling in the margin.

Medium: lithograph (after Picasso). Printed in 1959 by Young & Klein of Cincinnati and published by the Cincinnati Art Museum for their Picasso exhibition catalogue (now quite scarce). Size: 17 x 14 inches (430 x 350 mm). There is text on the back side, as published. Not signed.

Condition: there is some creasing.

Medium: lithograph (after the drawing). Printed in 1951, this composition was executed by Picasso for the back cover of Verve (volume VII, number 25-26) and published in Paris by Teriade. Size: 14 x 10 1/2 inches (355 x 269 mm). Not signed.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 3/4 x 4 1/4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris in signed editions of 50. In 1962 Picasso and the Louise Leiris Gallery cooperated with the production of a facsimile edition of the linocuts, meticulously recreated in reduced size. The printing was done in West Germany, with a French edition published by Editions Cercle D'Art and an American edition published by Harry Abrams, both in 1962. In later years reprints were issued but the prints from the 1962 set are far superior in quality, having the look and feel of actual linocuts.

This impression from the sought-after 1962 edition (published by Abrams) was done on heavy wove paper with a richly textured printed surface. The sheet measures 12 1/2 x 14 1/2 inches (312 x 365 mm) and the image size is 10 1/2 x 12 3/4 inches (270 x 325 mm). Not signed.

Condition: there is foxing in the margins but the linocut image is good with strong, fresh color.

Medium: original lithograph. Executed by Picasso in 1964 especially for the dust-jacket back cover of the Lithographe IV catalogue raisonné, printed in Paris by Mourlot. Size: 12 1/4 x 9 1/4 inches (312 x 237 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Condition: The edges of the sheet have been trimmed and there is minor wear to the top right corner of the sheet.

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This impression was printed in Paris in 1959 by Mourlot Freres, and issued in a sketchbook-style portfolio entitled "Carnet de la Californie", published by Editions Cercle d'Art. Size: 10 3/8 x 16 1/2 inches (260 x 422 mm). These lithographs are now quite scarce. Not signed.

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This impression was printed in Paris in 1959 by Mourlot Freres, and issued in a sketchbook-style portfolio entitled "Carnet de la Californie", published by Editions Cercle d'Art. Size: 10 3/8 x 16 1/2 inches (260 x 422 mm). There is a different Picasso lithograph printed on the back, as issued. These lithographs are now quite scarce. Not signed.

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This impression was printed in Paris in 1959 by Mourlot Freres, and issued in a sketchbook-style portfolio entitled "Carnet de la Californie", published by Editions Cercle d'Art. Size: 10 3/8 x 16 1/2 inches (260 x 422 mm). There is a different Picasso lithograph printed on the back, as issued. These lithographs are now quite scarce. Not signed.

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This impression was printed in Paris in 1959 by Mourlot Freres, and issued in a sketchbook-style portfolio entitled "Carnet de la Californie", published by Editions Cercle d'Art. Size: 10 3/8 x 16 1/2 inches (260 x 422 mm). There is another Picasso lithograph printed on the back, as issued. These lithographs are now quite scarce. Not signed.

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This impression was printed in Paris in 1959 by Mourlot Frères, and issued in a sketchbook-style portfolio entitled "Carnet de la Californie", published by Editions Cercle d'Art. Size: 10 3/8 x 16 1/2 inches (260 x 422 mm). These lithographs are now quite scarce. Not signed.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 3/4 x 4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 3/4 x 4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 6 3/4 x 4 1/4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris in signed editions of 50. In 1962 Picasso and the Louise Leiris Gallery cooperated with the production of a facsimile edition of the linocuts, meticulously recreated in reduced size. The printing was done in West Germany, with a French edition published by Editions Cercle D'Art and an American edition published by Harry Abrams, both in 1962. In later years reprints were issued but the prints from the 1962 set are far superior in quality, having the look and feel of actual linocuts.

This impression from the sought-after 1962 edition (published by Abrams) was done on heavy wove paper with a richly textured printed surface. The sheet measures 12 1/2 x 14 1/2 inches (312 x 365 mm) and the image size is 10 1/2 x 12 3/4 inches (270 x 325 mm). Not signed.

Condition: there is foxing in the margins but the linocut image is good with strong, fresh color.

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris in signed editions of 50. In 1962 Picasso and the Louise Leiris Gallery cooperated with the production of a facsimile edition of the linocuts, meticulously recreated in reduced size. The printing was done in West Germany, with a French edition published by Editions Cercle D'Art and an American edition published by Harry Abrams, both in 1962. In later years reprints were issued but the prints from the 1962 set are far superior in quality, having the look and feel of actual linocuts.

This impression from the sought-after 1962 edition (published by Abrams) was done on heavy wove paper with a richly textured printed surface. The sheet measures 12 1/2 x 14 1/2 inches (312 x 365 mm) and the image size is 10 1/2 x 12 3/4 inches (270 x 325 mm). Not signed.

Condition: there is foxing in the margins but the linocut image is good with strong, fresh color.

Medium: offset lithograph with pochoir coloring (after the 1905 Picasso watercolor). Printed in 1946 for the rare Picasso Fifteen Drawings portfolio, published in New York in an edition of 500. Image size: 8 3/4 x 6 inches (225 x 160 mm). Sheet size: 17 3/4 x 12 1/2 inches (453 x 320 mm). Signed in the plate (not hand-signed).

Condition: there are a few small spots in the margin.

Medium: pochoir (after the watercolor). Printed in Paris in 1924 and published by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 5 1/8 x 7 inches (130 x 180 mm). Not signed.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 8 3/4 x 5 1/2 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 7 x 4 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 7 3/4 x 5 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!